I have had several discussions with my older sister about non-fiction. Her husband was a research physicist, and they decided that their children would only read non-fiction, that anything else was rooted in non-truth. I won’t say I won, but here’s what happened.
When my sister’s youngest daughter, Lillie, was about ten (she’s nineteen now), she would not do what her mother wanted immediately because her nose was always in a book. At least that’s what my sister said. Lillie’s perspective may have been different. Anyway, my sister told me that she was going to forbid Lillie to go to the library because she was sure that the fiction Lillie was reading was behind her less-than-immediate obedience.
Now, I am not taking Lillie’s part, per se, but she was ten years old and home-schooled. I really doubt that she had picked up fiction that was that sinful to read. And I really doubt that her reading fiction was the source of her disobedience, although I will admit that, being a reader myself, there were many times when I obeyed my own mother rather slowly if her requests happened to come at a good point in my stories.
What I told my sister, though, was that if our mom had forbidden me to go to the library (something she never would have done), I would have run away.
“Really?” my sister said. “Even when you were ten?”
Yep. Even when I was ten. My mom understood that stories offered me hope, showed me a world where things were better than this one, a world where things worked out, sometimes in the space of a few hours. I am sure that I annoyed her greatly when I was in the middle of a good book, but she allowed me that chance to escape.
With that in mind, I want to recommend this post by Barbara Nicolosi entitled “Better than Real.” Ms. Nicolosi makes several good points, but the ones I like the best are these:
Stories are constructed and so offer a vision of artificial necessity to an audience that experiences real life as random. That is, the parts in a story are related to the whole in a relationship of necessity. Life isn’t random, of course, but our perspective is limited so it often seems to us that there is no cause and effect in our lives. This particularly rankles in the moral area: Some people to bad things, but appear to suffer no ill effects. Or else, Innocent two year olds get terrible diseases. Stories offer a “kharma” that assures the audience that their gut sense that in the end good will triumph is correct.
…Stories are not objectively “better” than the real. But they are better for the human viewer than the real because they offer God’s perspective — one that is complete, necessary and harmonious.
What I get from Ms. Nicolosi’s words is that stories give us all the pieces, something that we can’t get unless we are looking back on an experience. It’s that linear time thing. We can’t see the end. But God can. He knows how all the pieces fit. In a sense a storyteller plays God. He or she, as Ms. Nicolosi puts it, “sifts” the parts of a story so that “only those are used that will complement the other parts.”
This is what I understand the “sifting” to mean. I know I have a lot of blessings. But since I am in the middle of things, I get frustrated. I am seeing things in the rough draft form. And it’s nice to go somewhere, albeit in a fictional world, where I can have all the pieces. And things work out.
I guess what I’m trying to say is that I’m all in favor of a well-told story. Not because it’s better than real life, exactly. More because a well-told story gives me a chance to rest from real life. I don’t think I have a bad life, at all. But sometimes I like being reminded that there’s a hope of something better.